Disclaimer: This is a completed rough draft of a project I began working on years ago that I never finished. I had about three pages. Recently, I decided to pick it up again and flesh it out. It’s not even formatted close to correctly, but that’s okay, as it’s a direct conversion from Celtx. It’s hard as shit to read in this format, but that’s okay, too.
In my opinion, I have never written anything weirder or harder in my life. Every character is an anti-hero and unlikable, thus the challenge was to make them identifiable. Hopefully I did.
INT. EDMOND’S CAR – DAY – PRESENT
EDMOND FLESH is driving his car along a relatively deserted plot of land, whistling a happy tune while A MAN in the back seat with an obvious flesh wound in his stomach, bound and gagged, is kicking and screaming. EDMOND’s cell phone rings and he answers it cheerily.
EDMOND:
Hey honey bun! How are you on this most beautiful of days?
SHARON (V.O):
Hello my sweetest heart, just checking in on you – seeing how everything is going.
The man in the backseat is kicking harder now at the glass, attempting to exit the moving vehicle. He is screaming for his life through a couple inches of duct tape.
EDMOND:
Dimple, will you hold on a minute?
Edmond puts the phone on the dashboard and withdraws a fantastically large bowie knife from the glove compartment. He turns around and repeatedly stabs the man while still driving the car. Once the man finally stops squirming, Edmond picks up his cell phone.
SHARON (V.O)
Everything all right, my dearest?
EDMOND:
It couldn’t be any peachier, dimple. Has the baby been giving you trouble lately?
SHARON (V.O)
He’s been a little devil today – he’ll be popping out soon, I can feel it. Have you picked up dinner yet?
EDMOND:
Of course I did, sweet pea. He’s in the backseat right now.
TITLE SCREEN “THE FLESHES”
INT. NATHAN FLESH’S HOUSE – DAY – PRESENT
NATHAN FLESH and his wife, ROBIN FLESH, are sitting on the couch in nice, upper middle class clothing, NATHAN’s arm delicately draped over ROBIN’s shoulder. Both are holding wine glasses full of red liquid. Both are looking into the camera.
NATHAN:
Robin and I met – what is it – two three years ago now, in Italy. We were both on vacation, enjoying our lives independent of one another, and to make one of the longest stories of my life very short, I met her on the beach and courted her to the best of my ability. And here we are.
Nathan and Robin both laugh merrily.
ROBIN:
Nathan was convincingly charming when we first met, but not without his quirks. When he told me he converted to cannibalism on his seventeenth birthday I was initially appalled. I was stunned and scared and didn’t know what to think, really. I mean, this man ate humans – and enjoyed it! How am I supposed to be with someone like that?
NATHAN:
This was before she ever tasted a human liver. People frown on cannibalism, but, really, you haven’t done yourself or your tastebuds a favor until you’ve eaten a human liver with some fresh basil and paprika. Oh, magnifico!
ROBIN:
And just like that I converted. I mean, so what if the man of my dreams happens to eat a little human flesh? I am open to new things. Why dismiss something because society tells me it’s wrong?
NATHAN:
That’s word for word what I told her in Italy. On our first date I took her to my suite and prepared this guy I just killed. She was absolutely crazy over the pancreas and liver, which were both lightly charred, just enough black around the edges. She didn’t care too much for the intestines, though, but they’re an acquired taste, really. Terribly chewy if prepared improperly.
ROBIN:
It was the most romantic night of my life.
Nathan and Robin both smile at the camera and eskimo kiss one another in a cutesy fashion.
INT. EDMOND’S BASEMENT – EARLY EVENING
Edmond is in his basement with a knife in his hand and the man from the car lying in a pool of blood on the floor. Sharon walks down the stairs to examine the situation.
SHARON:
Oh Edmond, you’ve got to be more careful, look at all that blood you’ve wasted. Stop stabbing people in the stomach, he’s leaking like a broken sink.
EDMOND:
Not to fret, Sharon, he’s got plenty of blood to go around. I’m thinking heart, brain, kidneys and intestines tonight?
SHARON:
Oh you know Robin can’t stand the intestines, Ed. Lets save them for another night.
EDMOND:
Silly me, silly me. How forgetful I can be at times. Sometimes I forget I even have a brother, dimple.
SHARON:
You have two brothers, Ed.
Edmond smiles and takes a swift hack with a hatchet at the head of the recently deceased man. The doorbell rings and Sharon runs upstairs.
INT. EDMOND’s ENTRANCE HALLWAY – EVENING
Sharon, Robin and Nathan all enter the house, engaging in small talk and removing their coats. Edmond appears from the stairs with blood all over him.
EDMOND:
Baby brother!
Edmond and Nathan run at one another and hug. Blood is smeared all over Nathan’s hands and shirt. He wipes it and licks his fingers.
NATHAN:
How are you, big brother?
EDMOND:
Absolutely grand, Nathan. Want to see the meal for tonight? Big fella, picked him up by the train. Don’t think anyone’s going to miss him.
NATHAN:
What’s on the menu for tonight? No intestines, right? Because Robin can’t stand intestines.
They all laugh.
EDMOND:
Brains, heart and kidneys. I’m going to wrap them all in skin and then bake them.
NATHAN:
You should wrap it in skin, but instead of baking it you should – get this – broil it. It’ll really capture the natural flavors that way.
EDMOND:
Always knew you had the cooking gene in you, little brother. We should have you over more often.
INT. EDMOND’S DINING ROOM – EVENING
The foursome are sitting at the dinner table in dim lighting, full plates of gore mashed in front of them. They are all eating politely, using the correct silverware for various portions of the meal and all of them have napkins tucked into their necks.
ROBIN:
So when is the baby due again, Sharon? You look like you’re going to explode any second.
SHARON:
If I did that you all would probably just eat me.
NATHAN:
Amen. Can’t let someone as savory as Sharon go to waste.
SHARON:
The baby is due in a couple of weeks, Robin. I feel like a blimp.
ROBIN:
You’re the prettiest zeppelin in the world, Sharon.
SHARON:
You’re the sweetest, Robin. I am a little worried, though, what with all the savory blood exiting my vaginal cavity. I’m not sure if my morals conflict with tasting my own vaginal blood.
EDMOND:
Oh please, Sharon. Even some people who haven’t indulged in our exquisite tastes eat the placenta after birth. You giving a little lick to your own vaginal blood won’t be that bad – but I call first dibs on the placenta.
They all laugh.
SHARON:
Enough about me, we’ve been talking about this baby for eight and a half months for christ sakes. I want to hear about you two – how are you doing on the baby train?
Nathan and Robin simultaneously look up at Sharon, chewing their food slowly. They both swallow and both of their mouths open as if to answer the question – but no syllables come out.
INT. NATHAN FLESH’S HOUSE – DAY
Nathan and Robin are sitting on the same couch in the same clothing with the same reddish liquid. They are speaking and looking into the camera.
NATHAN:
Robin and I have been having some … complications in the bedroom lately.
ROBIN:
It’s not that we can’t make a baby, neither of us is sterile, but…
NATHAN:
I mean, how can anyone expect me to not take bites out of the woman I love when we are making love? She is the most attractive person on the face of the planet to me, I constantly just want to eat her up – and sometimes I do. Once we were making love in some bathroom in Florence and this sudden, overwhelming urge swept over me – and I took this massive bite out of her back. Show them, honey, show them.
Robin stands up, lifts her shirt to reveal a decent sized scar just around the middle of her spine. A chunk of flesh is missing.
ROBIN:
That’s nothing. Nathan, at heart, is just a sweetie, and it shows in the bedroom. The least domineering person I can think of at the moment. He’s a timid, gentle, passionate lover. Once I pretended to go down on him on an empty train ride in Germany, and just bit his legs to smithereens. He didn’t do a damn thing about it, either.
NATHAN:
She thinks she can out-cannibal me, but, really, you should see her pussy.
Nathan and Robin stare into the camera.
INT. EDMOND’S FRONT HALLWAY – EVENING
There is knocking at the door. Knock, knock, knock. Edmond rushes to the door and opens it to see CHARLES, his older brother, standing there menacingly. They say nothing to one another. Charles pushes Edmond out of the way and walks into the house, scratching his beard and observing his surroundings.
CHARLES:
Saw Nathans car outside. Invite your little brother to dinner, but not your big brother. I see how it is, Eddy.
EDMOND:
We just never talk, Charles. I haven’t seen you in months.
CHARLES:
So what are you two up to, huh? Just catching up on the old times, like brothers do?
EDMOND:
Yeah, I guess, they came to congratulate us on the baby.
CHARLES:
The baby, right. My nephew. How soon is he going to…
Charles walks away from the conversation without finishing his thought, sniffing the air and making a face of appalled recognition.
CHARLES:
What the fuck is that smell, Eddy?
Edmond rushes to the kitchen. Charles has already entered the corridor to the kitchen, feasting his eyes upon the gory piles of mushy human served on wonderfully white plates. Nathan is chugging a glass of what looks to be red wine.
CHARLES:
What the fuck is that?
NATHAN:
Charles! Edmond! Why is Charles here?
EDMOND:
Charles! I didn’t invite you in, gosh darn it!
CHARLES:
Edmond, answer my question. What the fuck is that? What the FUCK is that on the plates? Is it …
NATHAN:
Charles, sit down and we’ll have a chat. Clear this up in no time.
Nathan and Edmond look at one another. Charles examines a plate more closely and realizes it it human flesh. He vomits.
NATHAN:
Oh, not during dinner, Charles. God dammit.
EDMOND:
Wow, that is disgusting. Dinner ruined.
Charles finishes vomiting and looks up around him, to his brothers, to their wives and finally to the gore on the table. He wipes his mouth and looks towards the door. He bulldozes his way past Edmond, knocking him to the floor and running out the front door.
EDMOND:
Nathan, get him. I’ll get the gun.
EXT. EDMOND’S STREET – EVENING
Charles runs out of Edmond’s house, sprinting down the street. Nathan follows closely behind, both of them running full speed down the narrow suburban road. They run and continue running for about fifteen seconds. Edmond is seen in the distance zooming down the street behind them, wielding a shotgun and picking up speed. Charles looks back and continues running for his life.
EDMOND:
Charles! Stop and we’ll talk about this!
Charles doesn’t stop. Edmond does stop, Nathan still chasing Charles. Edmond aims the shotgun and fires. Nathan falls, Edmond keeps going.
EDMOND:
Nathan!
NATHAN:
Edmond, you shot me! You shot me in the fucking leg!
Edmond reaches down and examines the wound. It’s superficial, as only one pellet barely grazed Nathan’s right thigh. He sticks two fingers in and licks the blood. Nathan pushes him off. They both look up to see the small figurine of their brother dashing off into the night.
INT. EDMOND’S KITCHEN – EVENING
Robin is seen addressing Nathan’s wound, licking her fingers every once a while to a get a nice taste of blood. Edmond and Sharon are sitting, looking solemn and enraged.
NATHAN:
Well that was bad.
EDMOND:
Really, Nathan? That was bad? Our stuck-up, cock-sure, fire-breathing older brother with a stick up his ass finding out about all this is bad? I had no fucking idea.
NATHAN:
That is some angry sarcasm, Ed. You know, it’s so like you to pull a Dick Cheney.
EDMOND:
You could have moved out of the way when I was firing a god damned shotgun in the middle of the street. Seemed kind of like a given.
NATHAN:
Doesn’t matter. Petty squabbles for petty men. What are we going to do? Actually, the better question is what is Charles going to do? Call the police? Kill us himself? Tie us up and give us some speech on morality that will help us forever change our ways?
EDMOND:
We could just leave.
NATHAN:
I’d rather not.
SHARON:
We’re not leaving, Edmond. We’ve built a life here. This is our home, for god sakes.
EDMOND:
So? Maybe I’m just reaching, but I don’t see anyone coming up with anything else.
ROBIN:
Let’s just kill him.
NATHAN:
Oh, that’s good, hun. Just kill our own brother, just like that. Pow-pow. Aren’t our activities morally questionable enough?
EDMOND:
When did morals come into this? Don’t we have – you know – like, uh, aren’t, we, you know, like, on a different spectrum of morality because of our lifestyles?
SHARON:
Of course. We know we’re not doing anything bad – we’re still palatable – oh, that’s a bad word for it – we’re still … worldly, relate-able. We can still be part of a country club is what I’m saying.
EDMOND:
Exactly! The same rules don’t apply to us. To others it’s like – uh, you know – black and white, or grey – and to us, it’s blue and orange. Just a whole different compass – uh – canvas. At least, because of what we do, it’s like – we’re fine, we’re fine.
NATHAN:
I think you’re reaching a little.
EDMOND:
Yeah.
ROBIN:
So let’s kill him.
NATHAN:
Oh fuck! That’s out the window, Robin. No. We’re not just killing Charles because he knows. He could do nothing. He could keep quiet for the rest of his life for all we know.
Robin:
Or he could walk in here and kill us all, fulfilling whatever vengeful wrath he has in mind for such “criminal deviancy.”
Sharon:
This is all a load of shit. We’re not killing Charles, Robin. And we’re not leaving, Edmond. And we’re going to stop all the moral psychobabble, Nathan, because what we’re doing is perfectly sane and fine. Population growth is a problem. We’re not killing anyone respectable, or with a family – just drifters and people who have already given up on life.
EXT. LONESOME ROAD – DAY – PRESENT
THE MAN from the beginning is walking along a dirt path with a suitcase in his hand. He is weeping and speaking in Spanish. His clothes are dirty and he is beaten and bruised. He looks quite homeless.
MAN:
Why, God, why? Why did you place me in the middle of the desert after I was just beaten by deranged psychopaths who mistook me for a drug runner? Why, oh why, God, have you forsaken me, so? How will my poor mother dying from brain cancer ever recover without my financial support? How will I ever coach my little league team and teach them that winning isn’t everything?
He pulls out a picture of his family from his wallet.
Man:
My family! My poor little girl and poor, sweet boy! My loving and voluptuous wife! Will I ever see them again? Will I ever see my pretty little girl?
A car pulls alongside the man. Edmond walks out of the car and clubs the man in the head with a wrench.
INT. EDMOND’S KITCHEN – EVENING
Edmond:
Could we please just look over our options here? He could call the cops, he could turn himself into his own personal militia and drive us out with ammunition and pitchforks. And what can we do? Well, we could run or we can fight, and I think one of those options has a better survival rate than the other.
Sharon:
Well very informative, Edmond. I’m sure your pessimism will drive us straight out of this mess.
Nathan:
Your blatant protest of all our comments isn’t getting us anywhere either, Sharon.
Edmond:
Don’t talk to my wife like that, Nathan.
NATHAN:
She’s shooting down everything we’re saying and offering no advice of her own.
Sharon:
I’m just confused as to why we’re fighting amongst ourselves when we have a bigger problem, like a stark, raving lunatic about to barge into our doors.
Nathan:
Unfounded accusation!
Sharon:
Intolerable zeal at protecting that unfounded accusation!
Nathan:
Well aren’t you just so meta, Sharon! You totally know what situation you’re in right now, how to handle it, and how to comment on it ceaselessly!
Sharon:
Stop being a meta-phile, Nathan.
Nathan:
Meta-phile? I’m not a god damned meta-phile! A metaphile is a person who rapes meta people and hipsters. If anything, I’m a meta-phobe.
Edmond:
You’re afraid of being meta?
Robin:
That is ridiculously meta.
Nathan shivers.
INT. CHARLE’S APARTMENT – EVENING – PRESENT
CHARLES stumbles into his apartment after just running home, learning that his two brothers and their wives are cannibals. He is out of breath and sweating. He sits down at his desk, takes out a pack of cigarettes and begins smoking. He picks up the phone and dials a number.
CHARLES:
Terrence? Terry? Okay, okay, good. Can you meet me in an hour? Here. Where’s here? Oh, my place, at my place. In an hour.
Charles hangs up the phone. He looks towards his closet door and blows out a large puff of smoke.
INT. CHARLES’ APARTMENT COMPLEX – EVENING
TERRENCE HOLLENDAY, an accomplice of Charles, is knocking on Charles’ door. Charles is heard screaming noises of sexual ecstasy from inside his apartment. A bed is squeaking and rattling endlessly.
Terry:
Charles!
CHARLES (V.O.):
Terry! I’ll be right there.
A loud thud comes from the bedroom. After the thud, there is more rustling and shuffling around. Charles comes to the door, opens it and then shuts it nervously.
Terry:
That wasn’t suspicious at all, just so you know. Can I come in?
Charles:
No.
TERRY:
That’s not suspicious, either.
CHARLES:
Terry, I need your help, okay? My siblings have gotten themselves into some pretty bad shit. They’re idiots. They’re abominations. They’re …
Terry:
A rag-tag gang of ruffians that need to be taught a lesson?
Charles:
Look, I need a favor. We need to make a deal. An important deal and we need to figure out all the stipulations right now. A plan. A ten to five year plan. To fifteen year plan. I need your help and your services. Mainly your services, a willing disposition doesn’t have to be a part of it.
TERRY:
This seems like a terrible idea. You know, Charlie, you’re a swell guy. I’ve never suspected you of anything but good will and ice cream cones, honest.
Charles:
All you have to do is cut some people up. I mean – fuck – you’re doing that all the time anyway, aren’t you? Cutting people up? You cut away like a fucking crazy man, I’ve seen you.
Terry:
That situation was also bad etiquette.
Charles:
Look, let’s talk about this over coffee. What do you say? Yeah?
Terry:
Fine, Charles. You have one hour.
INT. EDMOND’S HOUSE – EVENING
The foursome are squatted around the same table, barely moved.
Edmond:
Okay. Is that it? Are we agreed? Is that the plan?
Nathan:
Yes.
Sharon:
Yup.
Robin:
I like it.
EDMOND:
Okay, so we bum-rush Charles’ apartment, we tie him up, we explain to him in great detail the six tenets of Cannibalism, try to make him convert and if he doesn’t we knock him out and take him back here for further questioning until he has successfully succumb to our brainwashing.
Sharon:
Perfect.
EXT. EDMOND’S DRIVEWAY – EVENING
Edmond is seen in front of the group with rope slung over his shoulder and the shotgun from before in hand. Sharon is directly behind him, wearing a giant flapper hat and a sleek red dress, obviously changing from before. She has a pistol in her hand. Nathan and Robin are behind them, with wrenches and duct tape on their belt buckles. They also have pistols. They all get in the vehicle and it speeds away.
EXT. CHARLES’ APARTMENT COMPLEX – EVENING
The foursome are sitting in the car in front of the building discussing the final preparations for their plan.
Edmond:
Wait, how do we even know he’s here? Doesn’t it seem more likely that he didn’t come back here so we couldn’t find him?
Sharon:
Well we should try anyway. Kicking down flimsy apartment doors isn’t exactly hard.
Nathan:
No, but it is illegal and I’d rather not end up in prison for the rest of my life.
Sharon:
Oh, now kicking in apartment doors is an immediate death sentence.
Edmond:
Stop. Lets just have a quick look inside. We all know the plan, we’ll be fine. If he’s not there, we’ll just wait inside until he comes home.
Robin:
The rope still seems superfluous to me. We have guns for fuck sakes. Four of us, one of him. Do you really think we’ll need a rope to get him out?
Edmond:
What does it matter if I have it? If it’s not needed, I won’t use it.
Sharon:
I really thought we went over this better.
Edmond:
We went over it fine.
Nathan:
Guys – three o’clock.
Charles and Terrence are seen walking back from the coffee place and they stop in front of the apartment doors. The four all turn to look at them.
Charles:
You drive a hard bargain, Terry, but the money is worth it to me. My family is full of stubborn fools and they’re not going to go about changing any time soon. You know I wish there were another way.
Terry:
I know, Charles. Although I consider these to be the most fucked up circumstances of my life. Rest assured that the money is worth it to me, too.
They both smile, nod and shake hands. Charles bolts into his apartment, while Terry begins to jog slowly towards his car.
Edmond:
He hired a hit man. Son of a bitch.
Nathan:
This is so like Charles.
Edmond:
Okay, new plan. Nathan, you take the car and follow him. We’ll stay here and deal with Charles.
Nathan:
You want me to follow a professional assassin? Well, I think your idea well has run dry for today.
Edmond:
My bet is he’s going to our house. If he doesn’t – if he goes to someplace else, well, kill him anyway. Don’t need that shit along with everything else. You two ready?
Robin and Sharon nod.
Edmond:
And we’re off.
Edmond, Sharon and Robin exit their sedan. They look around to see an empty lot, with even fewer passerby’s on the street. They walk up to the apartment building door sneakily and wait around the edges for someone to come out. Nathan, meanwhile, jumps in the drivers seat and takes off, following closely behind Terrence. An unsuspecting old man wanders out of the building. The threesome quietly saunter in behind him.
Edmond:
What are the chances of an old man being there at this time of night?
Sharon:
Lucky break.
Robin:
I’m really glad my metaphobic husband isn’t here right now.
INT. CHARLES’ APARTMENT BUILDING – EVENING
The three creep up the stairs. The building is mainly empty. They encounter no one on their way up the stairs. They sit outside of Charles’ room for a moment, pressing their ears up against the door. Noises of sexual fury are bursting from the room. The only voice they hear is Charles.
EDMOND (WHISPERING):
I didn’t see anybody walk in with him. Fucking one of his neighbors, you think?
Robin:
No idea. Does it matter?
Edmond:
Well it does, yeah.
Robin:
No it doesn’t.
Robin stands up and kicks the door. It flings open to reveal Charles fucking a corpse on his bed. He looks up startled and Sharon and Edmond point their guns at him, while Robin throws up. Edmond and Sharon look disgusted.
Edmond:
Charles! That’s disgusting!
Sharon vomits.
Charles:
Sharon! Not while…
Charles points to his obvious love-making with a dead person. Edmond vomits.
Charles:
You three are just fucking disgusting!
INT. EDMOND’S CAR – EVENING
Nathan is in hot pursuit of Terrence, Charles’s accomplice. They drive until they reach the hospital, where Terrence pulls into the parking lot. He gets out of his car and goes through the double doors of the building. Nathan stays parked behind Terrence’s car and pulls out his cell phone.
Nathan:
Charles, he stopped at the hospital. Probably for a quick twenty five grand kill or something. He’s probably pulling some old ladies chord right now and belting out like a shadow.
INTERCUT with Charles’ Apartment
Edmond:
Nathan, we’ve got some other problems. Charles is a necrophiliac.
Nathan:
Oh god, that’s disgusting! Not really relevant, though. Are you trying to ruin my already shitty time?
Edmond:
Keep following him. Don’t kill him there.
Nathan:
Obviously. I just wanted to give you a heads up. Bye.
Edmond (V.O.):
Bye.
Nathan sits nervously in his car until Terrence rushes back into his, with an unknown item stuffed into his shirt. Nathan continues his hot pursuit.
EXT. EDMOND’S HOUSE – EVENING
Terrence pulls up beside Edmond’s house. He pulls out a pen and notepad and writes something down. He rips out the page and places it on the seat next to him. He then pulls out a pure white shoebox from out of his jacket. He picks up the note, opens the box and places the note inside. He closes the box, breathes and gets out of the car.
INT. EDMOND’S CAR – EVENING
Nathan is parked a couple blocks away, Edmond’s house barely in view. He calls Edmond again.
Nathan:
Edmond. He’s at your place right now and when he left the hospital he had something under his shirt. I think it’s a bomb.
INTERCUT with Charles’ apartment
Edmond:
Nathan – listen to me. You probably have some time. He’s not going to kill himself and I’m sure the bomb, if it is one, is rigged to explode when we all get home. Get in there and make me proud. Okay? You’re safe.
Nathan:
Okay. Okay.
INT. CHARLES’ APARTMENT – EVENING
The threesome are there pointing there guns at Charles, who is clothed and sitting in a chair.
Edmond:
We really didn’t need the rope. Good call, Robin.
Charles:
Who the fuck is Nathan following, Edmond? What bomb?
Edmond:
Oh, yeah. You’ve always been a clever one, older brother. Sneaky, sneaky. What bomb. God you’re so good.
Sharon:
You’re a real jerk, you know that, Charles?
Robin:
A no-good, plain-rotten, dumb-fucking, whore-biting, rooster-driving, intellectually infertile nitwit.
Edmond:
I’m not sure a lot of those made sense.
Robin:
They wouldn’t, to a yellow-toothed, pig-bellied, snout-faced, sun-burnt, worm-hooked idiot head such as yourself.
Edmond:
I’m not sure why we’re feuding.
Sharon:
Charles! Call off your goon. Tell him to stop the bomb.
CHARLES:
What the fuck are you people saying? There is no bomb. There is no goon.
EDMOND:
Look, look, look. Just shut up. We’re here to convert you, or kill you, or to just make sure you shut up about this. Seems like finding you with a corpse kind of evens the playing field, huh?
CHARLES:
You were going to kill me?
Edmond:
You were going to kill us! Don’t seem so fucking innocent.
CHARLES:
I wasn’t going to kill you! It’s not a bomb, Edmond. It’s not a bomb.
Edmond:
Then what is it, Charlie?
INT. EDMOND’S KITCHEN – EVENING
Terrence is standing in the kitchen looking over family photo’s. He sees Charles in a couple and smirks. The relatively sleek white shoebox is dead center on the kitchen table. He walks over to the front door, only for the door to be kicked in, smacking him in the head. He falls to the ground. Nathan emerges, steps in, shuts the door with his foot and kicks Terrence in the head. He whips out a pistol and plants a bullet in Terrence’s skull.
INT. EDMOND’S HALLWAY – EVENING
Nathan drags the body to the edge of the basement stairs, where he rolls it down. It thuds and thumps.
INT. EDMOND’S KITCHEN – EVENING
Nathan approaches the white box slowly. He puts his pistol on the table next to him and touches the corners of the box. He winces to himself while opening it. Inside is the note on top of a human heart. The note reads, “I’m sorry for the way I acted. I thought of a way to repay all of you. Call me and we’ll talk. We’ve all got our secrets, brothers, but I still love you. We’re family. Signed, Terrence, on Behalf of Charles Flesh.” Nathan stares at the note, beads of sweat circulating around his forehead.
EXT. EDMOND’S DRIVEWAY – EVENING
Edmond, Robin, Sharon and Charles all walk up to the driveway, where Nathan is sitting. He is eating the heart and sobbing, the note fluttering in the wind before them.
Edmond:
Looks like he figured it out.
Charles looks around and notices Terrence’s vehicle.
CHARLES:
Where’s Terrence?
Nathan:
Oh, Terrence? Terrence. I shot him in the head and I threw him down the basement stairs.
Edmond:
Fucking Christ, Nathan.
Charles:
Well, Nathan, there goes the food supply I selflessly set up for you.
Nathan:
Selflessly? Who was that guy, Harry Whittington?
Robin:
That didn’t even make sense for fucks sake!
Nathan:
Well I shot him in the face.
CHARLES:
No, you idiot. He was the only working pathologist in Rudger County. He was smuggling organs for me.
Nathan:
Yeah, I figured that much out. Thank you, Charles. A little fucking late.
Edmond:
You god damned idiot, Nathan.
NATHAN:
You could have called me! We were constantly calling one another in this little episode of ours.
Sharon:
Ha! You fucking hypocrite! The metaphobes always end up being the metafags!
Nathan:
I’m not a metafag! We just alluded to other situations by calling one another, and the rate of our exchange was briskly paced – like an episode!
Robin:
Oh! Such a closet metafag!
Edmond:
We should just stop talking at the risk of going through some meta-timewarp where we turn inside out and become ourselves.
Charles:
Have you guys looked at the dangers of ingesting human flesh? Are you sure it’s not fucking with your brain?
Edmond:
Says the necrophiliac. Ha!
Edmond, Robin, Nathan and Sharon all laugh.
Charles:
I fuck corpses, therefore you are not brain damaged. Perfect logic!
CREDITS ROLL